Jean léon gérôme was one of the most famous french painters of his day.
Gerome carpet merchant.
The carpet merchant depicts the court of the rug market in cairo which gérôme had visited in 1885.
The carpet merchant c oil on canvas gerome jean leon minneapolis institute of arts mn usa the william hood dunwoody fund bridgeman images.
In july of 1798 napoleon marched into egypt and defeated the turks at the battle of the pyramids weakening past breaking point the waning ottoman empire.
Like delacroix he traveled extensively in north africa and the middle east.
Jean léon gérôme 11 may 1824 10 january 1904 was a french painter and sculptor in the style now known as academicism the range of his oeuvre included historical painting greek mythology orientalism portraits and other subjects bringing the academic painting tradition to an artistic climax he is considered one of the most important painters from this academic period.
Schooled at the ecole des beaux arts and honored by the french salon jean léon gérôme was a prolific and popular artist.
Jean léon gérôme 1824 to 1904 is a french painter worldwide renown for his precision meticulous rendered scènes of religion mythologye orient and history.
This giclée print delivers a vivid image with maximum color accuracy and exceptional resolution.
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Produced in around 1887 the carpet merchant portrays a scene in the cairo markets which jean léon gérôme had visited two years prior as part of his travels through the middle east and africa.
Because following him came first a trickle continue reading jean léon gérôme s the carpet merchant 1887.
The carpet merchant was created in 1887 by jean leon gerome in orientalism style.
The standard for museums and galleries around the world giclée is a printing process where millions of ink.
The carpet merchant by leon gerome is a hand painted oil painting on canvas.
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He was driven out a year later by the british but in that small amount of time he had already changed everything.
In the course of his long career he was the subject of controversy and bitter criticism in particular for defending the conventions of the waning genre of academic painting under attack by realists and impressionists.